Carmen Ollé's Noches de adrenalina as neo-avant-garde integral poetry

Abstract

This paper intends to analyze Carmen Ollé's poetry book, Noches de adrenalina (Nights of Adrenaline), from the perspective of integral poetry, that is, from the aesthetic of the Peruvian group Zero Hour. This understanding emphasizes on the neo- avant-garde aspects of the text, particularly in the hipervitalist project emerging from the relationship between art, life, and politics, as well as the meta-reflection and the intertextuality.